简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
佩德罗·帕斯卡//安格斯·克劳德//本·门德尔森//杰·埃利斯//诺曼妮//马歇尔·林奇//汤姆·汉克斯//凯尔·吉克瑞斯特//杰克·尚皮永//柳智英//多米妮克·索恩//迈克尔·X·萨默斯//金永/ Vinny Balbo/ Max Carpenter//米歇尔·法拉·黄/ Mike Infante/ Too $hort/ Natalia Dominguez/ Rachel Thurow/ James Coker/
贡萨洛·沃丁顿//克里斯塔·法亚特/ Cláudio da Silva//陈浪溪/ Jorge Andrade//约翰·佩德罗·瓦斯/ João Pedro Bénard//特丽莎·马德鲁加/ Joana Bárcia//曼努埃拉·库托//迪奥哥·多瑞亚/ Giacomo Leone/ André Lourido//阿梅瑞科·席尔娃//赵嘉妮/
伊娃·格林//鲁比·罗丝//玛丽亚·巴卡洛娃//罗纳-李·西蒙//乔尼卡·T·吉布斯/ Reza Brojerdi/ Aziz Çapkurt//克里斯托弗·巴库斯//拉埃蒂茨亚·伊杜//艾米丽·布鲁尼//瓦西利斯·科卡拉尼//埃德蒙德·金斯利/ Alyth Ross//埃斯蒂·耶鲁沙米/ Max Kraus//尼克斯·普尔索尼迪斯/